(written from a Production point of view)
|"Where Silence Has Lease"|
|TNG, Episode 2x02|
Production number: 40272-128
First aired: 28 November 1988
|←||27th of 176 produced in TNG||→|
|←||27th of 176 released in TNG||→|
|←||133rd of 728 released in all||→|
| Written By|
Jack B. Sowards
When an alien traps the Enterprise and threatens to kill half the crew purely out of curiosity, Captain Picard is faced with a grim decision.
The USS Enterprise-D is on a charting mission in the Morgana Quadrant. Commander Riker is taking part in one of Worf's calisthenics holodeck programs. They are attacked by vicious monsters and Worf is somewhat overwhelmed by the violence. When the program ends, Riker asks Worf if all his workout programs are like this. However, Worf admits that others are more intense but "too personal" to share.
On the bridge, Data detects an unusual reading, an area of total blackness, seemingly devoid of space, matter and energy. It is like a "hole in space." Captain Picard orders a probe to be launched into it. However, as soon as it enters the void it disappears. This alarms Worf and he recommends raising shields, for the void reminds him of a Klingon legend about a space creature that devours "entire vessels". He soon realizes that he is being foolish, and Picard orders another probe to be launched. This second probe also vanishes.
Ensign Crusher tells Picard that he can determine the boundaries of the anomaly based on where the two probes disappears and suggests that he can bring the ship closer. Picard agrees and orders Crusher to bring the ship in closer using thrusters only. Suddenly, the blackness expands and envelopes the Enterprise. Data tries to scan the surrounding area, but there is absolutely nothing to see. Picard decides to proceed with the mission and orders Crusher to set a course out of the void. However, no matter how fast or how far they go, they cannot leave. They drop a beacon in order to help them get a fix on their position. They set off on a course away from the beacon, yet soon enough they are approaching it again. They are going in circles. Picard orders full stop.
Suddenly, they detect a Romulan Warbird approaching them. It fires on them. The Enterprise returns fire and destroys the ship with single torpedo. Picard thinks that the battle was too easy and Data detects no debris from the Romulan ship. Another ship appears on sensors. This time it is the USS Yamato, their sister ship. They hail the vessel but there is no response. Sensors detect no life signs. Riker recommends sending an away team over. Picard agrees and Riker and Worf beam over.
On board, they find that the ship makes no structural sense. There are several bridges and when one walks through a door, they wind up not where they expected. This situation infuriates Worf and he begins to lose his temper. However, Riker calms him down.
Meanwhile, on the Enterprise, a gap is detected, through which stars can be seen. It appears to be a way to escape, but Picard will not leave without the away team. The starfix disappears.
Suddenly, the Yamato begins to vanish. Picard orders Miles O'Brien to beam the away team back immediately. O'Brien succeeds, in the nick of time. Riker comes to the bridge, very agitated. He has had enough and suggests that they "put all this technology to work, and get the hell out of here!"
Another starfix soon appears. A pleased Picard orders the conn officer, Ensign Haskell, to set a course towards it, but as soon as this is done, it quickly closes. Another starfix appears, but once again vanishes when a course is set towards it. Yet another starfix appears, but Picard ignores it. Haskell observes that it seems closer than the others, yet Picard still holds position.
Dr. Pulaski thinks that the crew is being treated like "rats in a maze". Counselor Troi says that she can sense a vast intelligence at work. Picard has had enough of responding to stimuli and decides to do nothing from now on.
Suddenly, a disjointed face appears on the screen. It introduces itself as Nagilum. It inquires about Pulaski's "construction" and how it differs from most of the other people on the bridge. Pulaski explains that she and Troi are female and that the others are male. Picard says that these differences are necessary for the propagation of the species. Nagilum asks for a demonstration of this but Pulaski refuses this request.
Nagilum then inquires about Humans' "limited existence", in which "you exist, then you cease to exist. Your minds call it... death". Suddenly, Haskell begins to shake violently. He grabs his face in a vain effort to control himself, but falls from his station screaming. He collapses on the floor, in a fetal-position, with his hands clasped over his mouth and dies with his eyes still open. Pulaski rushes to help him, but there is nothing that can be done. Nagilum watches his victim die, fascinated. "How interesting" he mutters. Pulaski confirms that Haskell is dead, and an angry Picard declares, "We cannot allow you to do that! We will fight you!"
Nagilum replies that in order to completely understand death, he is going to have kill about a third or a half of the ship's crew.
Picard calls a staff meeting and opts to initiate the ship's auto-destruct sequence rather than allow the entity to perform any more experiments on them. He and Riker set the sequence for twenty minutes.
Picard, while preparing himself in his quarters for the destruction of the ship, is visited by Data and Troi to discuss death and the implications of death. After a short discussion, Picard realizes that both are merely Nagilum in disguise, and that they are trying to trick him into aborting the self-destruct. Picard verifies Data's location, which is on the bridge. "It's not going to work, Nagilum," he says. The two impostors vanish and suddenly the ship is back in normal space.
Picard goes to the bridge to make sure that they are free. With a few seconds left to spare, he orders the computer to stop the countdown. When asked if he concurs, Riker replies, "Yes! Absolutely! I do indeed concur! Wholeheartedly!" The sequence stops and Picard jokingly informs Riker that a simple "yes" would have sufficed.
Picard goes to his ready room and hopes that Nagilum got what he wanted. Suddenly, Nagilum appears on the desk screen, and informs Picard that he got much more than he needed. Nagilum reports his conclusions to Picard. He says that Humans "seem to find no tranquility in anything. You struggle against the inevitable. You thrive on conflict. You are rash, quick to judge, slow to change. It's amazing you've survived. As a species, we have no common ground. You are too aggressive. Too hostile. Too militant". Picard does not argue with him, but points out that they do have one trait in common, curiosity. Nagilum, with a Human-like chuckle, agrees. Picard also says that they may meet again, but that next time, it will be out among the stars. Nagilum fades off screen.
Picard then returns to the bridge, and orders Crusher to put them back on their original course. Riker tells him to steer clear of "any holes".
"I think it is perhaps best to be ignorant of certain elements of Klingon psyche."
- - Picard
"I have a question, sir."
"Yes Data, what is it?"
"What is death?"
"Oh, is that all? Oh, Data, you're asking probably the most difficult of all questions. Some see it as a changing into an indestructible form, forever unchanging; they believe that the purpose of the entire universe is to maintain that form in an earth-like garden which will give delight and pleasure through all eternity. On the other hand, there are those who hold to the idea of our blinking into nothingness. That all of our experiences and hopes and dreams, merely a delusion."
"Which do you believe, sir?"
"Considering the marvelous complexity of the universe, its clockwork perfection, its balances of this against that, matter, energy, gravitation, time, dimension, I believe that our existence must be more than either of these philosophies. That what we are goes beyond Euclidean or other "practical" measuring systems, and that our existence is part of a reality beyond what we understand now as reality."
- - Nagilum as Data and the real Picard
"...Ten seconds to auto-destruct..."
"Abort auto-destruct sequence."
"Riker, William T., do you concur?"
"Yes! Absolutely! I do indeed concur! Whole-heartedly!"
"A simple 'yes' would have sufficed, Number One."
"I didn't want there to be any chance of a misunderstanding."
- - the Computer, Picard, and Riker
"A ship has one bridge! ONE BRIDGE!! ONE RIKER!! ONE BRIDGE!!!"
- - An angry Worf on the duplicated bridge of the USS Yamato
"Why do I get the feeling that this was not the time to join this ship?"
- - Dr. Pulaski after the decision has been reached to self-destruct the ship.'
"Captain, the most elementary and valuable statement in science, the beginning of wisdom, is 'I do not know.'"
- - Data
"Sensors show nothing out there, absolutely nothing."
"Sure is a damned ugly nothin'."
- - Data and La Forge
"Speaks right up for something your sensors say isn't there, Data."
- - La Forge, after Nagilum yells at the bridge crew
"Ensign, put us back on course. Warp three."
"Yes, sir. Warp three."
"And, ensign? If you encounter any holes... steer clear."
- - Picard, Wesley Crusher and Riker after the Enterprise's experience with Nagilum
- The title is taken from a line of the Robert Service poem The Spell of the Yukon.
- This is the first episode to feature a completely original script after the 1988 WGA strike. The premiere of Season 2, "The Child", was adapted from the script of the same name for Star Trek: Phase II. (Star Trek: The Next Generation Companion 2nd ed., p. 66)
- According to the Star Trek: The Next Generation Companion (2nd ed., p. 68), the name Nagilum is "Mulligan" backwards, an homage to actor Richard Mulligan, who was originally set to play the role, much as Sha Ka Ree was named for Sean Connery, the original choice to play Sybok in Star Trek V: The Final Frontier.
- First UK airdate: 10th April 1991
- This episode marks Winrich Kolbe's directorial debut on Star Trek. He would later go on to direct many more episodes of The Next Generation, including the series finale, "All Good Things...", as well as episodes from the other spin-off series, including the first episode of Star Trek: Voyager, "Caretaker".
- With no new sets, this episode is a true bottle show. (Star Trek: The Next Generation Companion 2nd ed., p. 68)
- For Kolbe, the challenge was to make the show visually interesting while shooting five days on the bridge set. He noted, "The bridge is intriguing when you step on it for the first time and you look at it for about ten minutes. Then it becomes an utter crashing bore, because it's nothing but tan walls and a few twinkling lights. I did a lot of choreography on that show. It's probably the script that has the most notes on where actors move – every step, which I very rarely do. I usually like the actors to drive themselves where they have to go. On something like 'Where Silence Has Lease' you have to keep the camera constantly moving, and that was a hell of a challenge. I spent a lot of time on that bridge on my belly, hanging down from the rafters and in any other position to try and figure out what I would do with the camera." (Captains' Logs: The Unauthorized Complete Trek Voyages, p. 173)
- As he awaits the Enterprise self-destruct countdown in his quarters, Picard listens to Trois Gymnopédies, by Erik Satie, a French composer and pianist. Specifically Gymnopedie No 1. Lent et Douloureux (translated:Slow and Painful.)
- As Worf and Riker are exploring the derelict USS Yamato, in the moment when Riker notes the chemical composition of the bulkheads, the first door on the right-hand side of the blind corridor outside the transporter room can be seen open. This is one of only two instances in the entire seven-year run of the series that this door is seen open, with the other in "11001001" as Picard requests access to the Weapons Room. In Star Trek: The Motion Picture, that door had served as the entrance to the transporter room of the original USS Enterprise, while the wider door used in TNG had not been added yet. When the sets were redesigned for their appearances in The Next Generation, the back wall of the transporter room was moved closer to the transporter platform, and the space behind it was left open for possible use later. It should be noted that for both of these instances there was no standing set behind that door. The room behind the door was used as the sickbay science laboratory set in such episodes as "Home Soil" and "Evolution".
- The false Yamato bridge has a notable sound effect: a subtly-distorted version of the Enterprise bridge background noises, indicating that things are not quite right aboard the Yamato.
- Near the end of the previous episode, "The Child", before leaving Science Station Tango Sierra, we see Picard mentioning Morgana Quadrant as the new destination. Indeed, according to the Captain's log, the present episode takes place in the Morgana Quadrant.
- Worf's Klingon legend about a space creature eating starships may have some basis in fact, as seen in VOY: "Bliss" where just such a creature is encountered.
- The registry of the USS Yamato is NCC-1305-E in this episode, but was changed to NCC-71807 for "Contagion".
- While the false Yamato bridge is seen to be an exact copy of the Enterprise bridge in this episode, the bridge of the real Yamato is shown to have very subtle physical differences in "Contagion".
- O'Brien, manning the transporter during this episode, is referred to as "lieutenant" by Riker, suggesting that he is a commissioned officer. Later episodes contradict this, and O'Brien would eventually be the token enlisted man on both TNG and DS9. See also: Miles O'Brien's rank history
- The original USS Enterprise encountered a "hole" in space which couldn't be penetrated by sensors in the "The Immunity Syndrome", yet Data claims that no starship had encountered such a phenomenon before.
- This episode marks the first appearance of the new red alert lights which entirely flash on and off and they will be used for the rest of the show's run.
- This is the only episode where Picard says "come in" when his doorbell rings. The rest of the episodes have him saying "come".
- The musical cue heard just after Riker beams aboard the USS Yamato is the same choral synthesizer note used approximately seven minutes into Part II of "The Best of Both Worlds", when Captain Picard is given a robotic arm covering by the Borg. Also, the dramatic underscoring music that is heard during the activation of the auto-destruct sequence by Picard and Riker, is featured even more profoundly in "The Best of Both Worlds". Finally, the musical cue heard when Picard tests whether Nagilum truly let the Enterprise escape, is reused at the end of the Season 3 episode "Booby Trap", when Picard navigates the Enterprise out of the asteroid field.
- The music to all three episodes was scored by veteran composer Ron Jones.
- There are hints of the classic Star Trek "Fight Music" (see TOS: "Amok Time") in the holodeck scene with Riker and Worf.
- Maurice Hurley was quite pleased with the majority of the show, although he felt that the ending didn't work. He stated, "What that show was to me was our guys at three in the morning, they hear a noise in the attic. I put a pillow over my head and go back to sleep and hope it's nothing. They got up to find out, 'Oh boy, what is it?' That's what the show was." The story appealed to Hurley as it was true to the series' premise of exploration. "I hate to keep saying it, monsters and creatures just didn't work. One of the things that sometimes has to be remembered, and I forgot it as much as anybody, was that you forget these are scientists out here, not soldiers. They're out there to learn, so that sense of learning and investigation is really important, more important than all of the running and jumping, more important than the Ferengi, more important than the Borg, more important than any of that stuff is to deal with an idea or something new." (Captains' Logs: The Unauthorized Complete Trek Voyages, p. 173)
- Director Winrich Kolbe thought the premise was interesting, although he wished it could have been further developed. He noted, "We look at things in our little universe and interpret people in a certain way and they make sense of us or they don't make sense of us. A foreigner, for instance. The way he or she thinks or sees things. You put that in outer space and have a totally different organization looking at us, now it seems to me that you want to push it further. You want that experiment to go further and us become almost like whatever they want us to be. Unfortunately it didn't go so far. That is probably my major beef." Kolbe noted this was due to the limits of episodic drama. "[Y]ou only have 44 minutes and in those 44 minutes, unless you do story arcs, if you have to go out there and come back in 44 minutes you're kind of handicapped. You don't want to go out too far so you lose your audience and never catch them as you come back." (Captains' Logs: The Unauthorized Complete Trek Voyages, p. 173)
- Patrick Stewart quoted from Picard's conversation with the fake Data about death during the memorial service for Gene Roddenberry in 1991. (Star Trek Creator: The Authorized Biography of Gene Roddenberry)
- A mission report for this episode by Patrick Daniel O'Neill was published in The Official Star Trek: The Next Generation Magazine Vol. 6, pp. 5-8.
- Winrich Kolbe also remembers, "That was murder. It was five days on the bridge. To shoot that long on the bridge was the worst experience I've ever had. I don't necessarily mean that in negative terms. It was just very challenging. That's where I began to move the camera. In the end, I think it's one of the best ones I've done." (The Official Star Trek: The Next Generation Magazine Vol. 21, p. 30)
Video and DVD releases
- Original UK VHS release (two-episode tapes, CIC Video): Volume 14, catalogue number VHR 2467, 3 June 1991
- UK re-release (three-episode tapes, Paramount Home Entertainment): Volume 2.1, catalogue number VHR 4737, 1 March 1999
- As part of the TNG Season 2 DVD collection
- As part of the TNG Season 2 Blu-ray collection.
Links and references
- LeVar Burton as Lt. Geordi La Forge
- Michael Dorn as Lt. Worf
- Marina Sirtis as Counselor Deanna Troi
- Brent Spiner as Lt. Commander Data
- Wil Wheaton as Wesley Crusher
Special appearance by
- Majel Barrett as USS Enterprise-D computer voice
- James G. Becker as Youngblood
- Dexter Clay as an operations division officer
- Jeffrey Deacon as command division officer
- Steve Kelso as insectoid opponent
- Tim McCormack as Bennett
- Jan Shultz as skull-faced opponent
- Guy Vardaman as Darien Wallace
- James G. Becker - stand-in for Jonathan Frakes
- Darrell Burris - stand-in for LeVar Burton
- Dexter Clay - stand-in for Michael Dorn
- Jeffrey Deacon - stand-in for Patrick Stewart
- Nora Leonhardt - stand-in for Marina Sirtis
- Tim McCormack - stand-in for Brent Spiner
- Guy Vardaman - stand-in for Wil Wheaton
amber; ancient history; auto-destruct; bluff; calisthenics program, Klingon; cheese; cloaking device; Cornelian star system; D'deridex-class; Data (illusory); dragon; Earth; Federation; First Gymnopédie; fly; Galaxy-class; Henry VI, Part III; "hole in space"; inertial guidance system; maze; Milky Way Galaxy; Morgana Quadrant; parsec; probe, class 1; rat; Romulan; scanner probe; science vessel; Sol; Starfleet Academy; stationary beacon; Troi, Deanna (illusory); tricorder; tritanium; turbolift; Yamato, USS; yellow alert
- Where Silence Has Lease at Wikipedia
- Where Silence Has Lease at StarTrek.com, the official Star Trek website
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"Elementary, Dear Data"