Real World article
(written from a Production point of view)

Star Trek: Ships of the Line (2018) is the 2018 edition of the Star Trek: Ships of the Line calendar series.


The panoramic Star Trek 2018 Wall Calendar: Ships of the Line opens horizontally to maximize the detail and drama of each stunning piece of art.
The 2018 edition of this fan-favorite calendar is dedicated to showcasing spectacular images of the most famous vessels from the iconic franchise in a variety of iconic scenes and settings.

Excerpts of copyrighted sources are included for review purposes only, without any intention of infringement.


  • Cover ("We Are the Borg") – by Alain Rivard
  • January - "These are the Voyages"
  • February ("Parallels") – by Gabriel Koerner - Multiple incarnations of the USS Enterprise-D begin appearing in one quantum reality.
  • March ("The Send Off") – by John Eaves
  • April ("Angel's Gate") – by Bill Krause
  • May ("Better Days") – by Alain Rivard - The USS Reliant undergoing repairs in drydock, with the USS Enterprise nearby.
  • June ("We Want It Brought Down") – by deg - The USS Enterprise is intercepted by an F-104 Starfighter.
  • Technifold "Development Project: NX-74998" – by D.M. Phoenix
  • July ("Follow Me") – by Doug Drexler and Ali Ries - The USS Rio Grande departs the new Deep Space 9, followed by the USS Defiant.
  • August ("Sunset at Veridian") – by Michael Wiley - Salvage work commences on the remains of the USS Enterprise-D following the ship's crash landing on Veridian III.
  • September ("What Are You?") – by Shrox
  • October ("A Dish Best Served Cold") – by Matt Boardman - The USS Indianapolis, accompanied by one of its shuttlecraft, approaches a Federation station with two K'Tinga-class vessels nearby.
  • November ("Vulcan Diplomatic Escort") – by Doug Drexler and Ali Ries
  • December ("Stellar Survey") – by Dan Uyeno

Background informationEdit

This was the fifth outing in the Ships of the Line calendar series that saw an internationally released variant edition by Danilo Promotions Limited for the UK and the Commonwealth. As with the previous outing, it was a reprint of the one year prior US 2017 edition, with the same contents, though, again, there were some slight editorial differences.


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