(written from a Production point of view)
Stan Kellam is a visual effects editor who worked for The Post Group on Star Trek: The Next Generation. Together with Peter Moyer he provided effects on a rotational basis and explains, that in addition to creating the cloak/de-cloak capabilities of the Romulan Warbirds and Klingon Bird-of-Prey spaceships with a ripple effect, the Quantel Mirage with Starlight plays a major role in developing planets for the Enterprise crew to beam down to. ("The Special Effects", The Official Star Trek: The Next Generation Magazine Vol. 12, pp. 20-21)
Kellam also worked for The Post Group as editor and compositor on the television series Mission: Impossible (1988-1990) and Freddy's Nightmares (1988-1990) as well as several television specials including Laser Optics II (1989), MTV's 10th Anniversary Special (1991), Chez Whoopi (1991), and Eagles: Hell Freezes Over (1994) for which he received a Primetime Emmy Award nomination in the category Outstanding Individual Achievement in Editing for a Miniseries or a Special – Multi-Camera Production in 1995.
Further credits as on-line editor include the television documentaries Volcano: Nature's Inferno (1997), Eastwood After Hours: Live at Carnegie Hall (1997), and Asteroids: Deadly Impact (1997) and as compositor for Asylum on the action comedy Charlie's Angels: Full Throttle (2003).
Since 2000, Kellam has worked as director, producer, editor, and camera operator on several Jimmy Buffett video specials.