Memory Alpha
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== Layout ==
 
== Layout ==
The Orbital Drydock Facility was made up of five cage segments, with one long section providing the [[dorsal]] part of the cage and two smaller sections on either side providing the [[port]] and [[starboard]] parts. These sections housed banks of lights facing inwards, towards where the ship would be located. The dorsal sections also supported a small windowed station in the center of the facility as well as rails that four movable construction arms were attached to. Housed in the center joint of the smaller sections making up the walls of the cage were small stations. Each station had a total of four [[airlock]]s at the [[bow]] and [[stern]], one facing outwards along the centerline where other segments could be added as well as one airlock each facing port, starboard, and [[ventral]]. An airlock was also located on the centerline facing "outwards" from each station. One of the segments on the port side also had a large antennae farm located just below the station. ({{ENT|Broken Bow|The Expanse|Borderland}})
+
The Orbital Drydock Facility was made up of five cage segments, with one long section providing the [[dorsal]] part of the cage and two smaller sections on either side providing the [[port]] and [[starboard]] parts. These sections housed banks of lights facing inwards, towards where the ship would be located. The dorsal sections also supported a small windowed station in the center of the facility as well as rails that four movable construction arms were attached to. Housed in the center joint of the smaller sections making up the walls of the cage were small stations. Each station had a total of four [[airlock]]s at the [[Nautical terms#Direction, Locations, and Navigation|bow]] and [[stern]], one facing outwards along the centerline where other segments could be added as well as one airlock each facing port, starboard, and [[ventral]]. An airlock was also located on the centerline facing "outwards" from each station. One of the segments on the port side also had a large antennae farm located just below the station. ({{ENT|Broken Bow|The Expanse|Borderland}})
   
 
<gallery>
 
<gallery>
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== Appendices ==
 
== Appendices ==
  +
=== Appearances ===
  +
*{{ENT}}
  +
**{{e|Broken Bow}}
  +
**{{e|The Expanse}}
  +
**{{e|Storm Front, Part II}}
  +
**{{e|Borderland}}
  +
 
=== Background information ===
 
=== Background information ===
This docking facility may be part of the [[Warp Five Complex]], but this possibility was never confirmed. The facility was referred to simply as a "[[Spacedock]]" in the episode's script. [http://www.st-minutiae.com/academy/literature329/ent001.txt] In a blueprint of the ''Enterprise''{{'}}s bridge that was auctioned off in the [[It's A Wrap! sale and auction|''It's A Wrap!'' sale and auction]] (item #4654), the spacedock is referred to as Orbital Drydock Facility 314, Station 15 B. {{stala|4654}} The [[CG model]] for the ''[[Orbital 6]]'' [[inspection pod]] used in "Broken Bow" also had markings on the side reading "Orbital Drydock Facility" and "[[Shipyard Ops]]". This is where Memory Alpha get the name from.
+
This docking facility may be part of the [[Warp Five Complex]], but this possibility was never confirmed. The facility was referred to simply as a "[[Spacedock]]" in the script of ''Star Trek: Enterprise'' pilot episode {{e|Broken Bow}}. {{Star Trek Minutiae|resources/scripts/ent001.txt}} In a blueprint of the ''Enterprise''{{'}}s bridge that was auctioned off in the [[It's A Wrap! sale and auction|''It's A Wrap!'' sale and auction]] (item #4654), the spacedock is referred to as Orbital Drydock Facility 314, Station 15 B. {{stala|4654}} The [[CGI model]] for the ''[[Orbital 6]]'' [[inspection pod]] used in "Broken Bow" also had markings on the side reading "Orbital Drydock Facility" and "[[Shipyard Ops]]". This is where Memory Alpha gets the name from.
   
 
==== Exterior design ====
 
==== Exterior design ====
 
[[File:Enterprise spacedock sketch.jpg|thumb|The first concept sketch that [[John Eaves]] created for the spacedock]]
 
[[File:Enterprise spacedock sketch.jpg|thumb|The first concept sketch that [[John Eaves]] created for the spacedock]]
While the look of the spacedock was not yet decided, about four conceptual passes at designing the dock were tried out. The first of these, dated {{m|February|2001}}, was decidedly contemporary while also heavily influenced by the chronological setting of ''[[Star Trek: Enterprise]]''. Senior illustrator [[John Eaves]], who was involved in designing the dock, later explained, "''We were designing a new segment in time just a few decades prior to [[Star Trek: The Original Series|the original series]]. The idea was to retro back everything from the [[1960s|60′s]] iconic series to a more [[National Aeronautics and Space Administration|NASA]] and nuts and bolts kind of look. With that in mind we ventured into a new yet older style of spacedock/drydock design with a [[skylab]] feel to the aesthetics. The result of this path [was] [...] a large circular [[space station]] with massive solar arrays and domed details to bring us all back into a more present time of space architecture with a slightly futuristic feel.''" However, the designers instead finally settled on a more chunky version of [[Earth spacedocks#USS Enterprise drydock|the traditional drydock]] as established in {{film|1}}. [http://johneaves.wordpress.com/2011/09/27/nx-01-space-dock-version-1]
+
While the look of the spacedock was not yet decided, about four conceptual passes at designing the dock were tried out. The first of these, dated {{m|February|2001}}, was decidedly contemporary while also heavily influenced by the chronological setting of ''[[Star Trek: Enterprise]]''. Senior illustrator [[John Eaves]], who was involved in designing the dock, later explained, "''We were designing a new segment in time just a few decades prior to [[Star Trek: The Original Series|the original series]]. The idea was to retro back everything from the [[1960s|60′s]] iconic series to a more [[National Aeronautics and Space Administration|NASA]] and nuts and bolts kind of look. With that in mind we ventured into a new yet older style of spacedock/drydock design with a [[skylab]] feel to the aesthetics. The result of this path [was] [...] a large circular [[space station]] with massive solar arrays and domed details to bring us all back into a more present time of space architecture with a slightly futuristic feel.''" However, the designers instead finally settled on a more chunky version of [[USS Enterprise spacedock|the traditional drydock]] as established in {{film|1}}. {{eavesdropping|2011/09/27/nx-01-space-dock-version-1}}
   
 
[[Pierre Drolet]], a visual effects artist at [[Foundation Imaging]], was largely responsible for deciding how the spacedock turned out. "''He just said, 'Let me see what I can come up with,' and ultimately [the producers] went for it,''" remembered Foundation's [[Robert Bonchune]]. "''Pierre built something that was sort of a step backward from ''The Motion Picture'' drydock. A little beefier, a little more like [[NAR-30974|the dry dock]] from [[Star Trek Generations|''Generations]]." (''[[Star Trek Monthly issue 86]]'', p. 23) The dock included some other minor details that helped differ it from previous docks, such as the one in ''The Motion Picture''. "''It is still a drydock shape; it's just clunkier and a little more primitive,''" said Bonchune. "''We put in little things like [[grappler]] hooks at the bottom to move things around. There are little details like gold foil and thermal blankets on some things.''" (''[[Star Trek: The Magazine Volume 2, Issue 10]]'', p. 26)
 
[[Pierre Drolet]], a visual effects artist at [[Foundation Imaging]], was largely responsible for deciding how the spacedock turned out. "''He just said, 'Let me see what I can come up with,' and ultimately [the producers] went for it,''" remembered Foundation's [[Robert Bonchune]]. "''Pierre built something that was sort of a step backward from ''The Motion Picture'' drydock. A little beefier, a little more like [[NAR-30974|the dry dock]] from [[Star Trek Generations|''Generations]]." (''[[Star Trek Monthly issue 86]]'', p. 23) The dock included some other minor details that helped differ it from previous docks, such as the one in ''The Motion Picture''. "''It is still a drydock shape; it's just clunkier and a little more primitive,''" said Bonchune. "''We put in little things like [[grappler]] hooks at the bottom to move things around. There are little details like gold foil and thermal blankets on some things.''" (''[[Star Trek: The Magazine Volume 2, Issue 10]]'', p. 26)
   
Production illustrator [[Doug Drexler]] was not entirely satisfied with the final exterior design of this facility, commenting, "''The fiver seemed as big and complex (perhaps even more so) than the drydock from TMP.''" Drexler also admitted to having "never understood" the large antennae farm included as part of the five-fingered facility. [http://drexfiles.wordpress.com/2009/06/14/enterprise-drydock]
+
Production illustrator [[Doug Drexler]] was not entirely satisfied with the final exterior design of this facility, commenting, "''The fiver seemed as big and complex (perhaps even more so) than the drydock from TMP.''" Drexler also admitted to having "never understood" the large antennae farm included as part of the five-fingered facility. {{DrexFiles|2009/06/14/enterprise-drydock}}
   
 
==== Depiction in launch sequence ====
 
==== Depiction in launch sequence ====
For ''Star Trek: Enterprise'' pilot episode {{e|Broken Bow}}, executive producers and series creators [[Rick Berman]] and [[Brannon Braga]] originally wanted a vast stadium to be witness to the starship ''Enterprise''{{'}}s departure from the dock, though these scenes were thereafter moved to being set on an observation deck of the spacedock itself. "''We always imagined a stadium full of people, but you never quite end up with as much as you want,''" acknowledged Braga. ("Broken Bow" [[audio commentary]], [[ENT Season 1 DVD]])
+
Executive producers [[Rick Berman]] and [[Brannon Braga]], in their capacity as the writers of "Broken Bow", originally wanted a vast stadium to be witness to the starship ''Enterprise''{{'}}s departure from the dock, though these scenes were thereafter moved to being set on an observation deck of the spacedock itself. "''We always imagined a stadium full of people, but you never quite end up with as much as you want,''" acknowledged Braga. ("Broken Bow" [[audio commentary]], [[ENT Season 1 DVD]])
   
 
The spacedock's observation deck was actually a redress of the ''Enterprise'' [[armory]] set. ("Broken Bow" [[text commentary]], [[ENT Season 1 DVD]]) The interior scenes set in this room were filmed on {{d|5|June|2001}}, on [[Paramount Stage 18]]. (''Broken Bow'' call sheet)
 
The spacedock's observation deck was actually a redress of the ''Enterprise'' [[armory]] set. ("Broken Bow" [[text commentary]], [[ENT Season 1 DVD]]) The interior scenes set in this room were filmed on {{d|5|June|2001}}, on [[Paramount Stage 18]]. (''Broken Bow'' call sheet)
   
Subsequently, the spacedock's observation deck was optically enlarged; visual effects added a secondary balcony to the room as well as more audience members than the number of extras who had been on the set. ("Broken Bow" text and audio commentaries, [[ENT Season 1 DVD]]) "''When we saw the dailies, Rick Berman decided that the event should be bigger and have more people, so I figured out a way I could hand-paint set extensions,''" recalled visual effects producer [[Dan Curry]]. "''By reducing and tweaking perspective and shooting background people against greenscreen, we were able to build layers of audience and make the room bigger than the original set had been.''" Curry was ultimately very proud of the launch sequence, which Robert Bonchune also worked on. (''[[Star Trek: The Magazine Volume 2, Issue 10]]'', pp. 26-27)
+
Subsequently, the spacedock's observation deck was optically enlarged; visual effects added a secondary balcony to the room as well as more audience members than the number of extras who had been on the set. ("Broken Bow" text and audio commentaries, [[ENT Season 1 DVD]]) "''When we saw the dailies, Rick Berman decided that the event should be bigger and have more people, so I figured out a way I could hand-paint set extensions,''" recalled visual effects producer [[Dan Curry]]. "''By reducing and tweaking perspective and shooting background people against greenscreen, we were able to build layers of audience and make the room bigger than the original set had been.''" Curry was ultimately very proud of the launch sequence, which Rob Bonchune also worked on. (''[[Star Trek: The Magazine Volume 2, Issue 10]]'', pp. 26-27)
   
 
==== Other representations ====
 
==== Other representations ====
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=== Apocrypha ===
 
=== Apocrypha ===
In the [[novels|novelization]] of {{e|Broken Bow}}, the primary ''Enterprise'' spacedock is referred to as consisting of geodesic parts that were assembled on Earth before being constructed in space, expanding the dock to its full size therein.
+
In the [[novels|novelization]] of {{e|Broken Bow}}, this spacedock is referred to as consisting of geodesic parts that were assembled on Earth before being constructed in space, expanding the dock to its full size therein.
 
[[Category:Space stations]]
 
[[Category:Space stations]]

Revision as of 07:50, 5 November 2015

The Orbital Drydock Facility was a spacedock where the first warp five starship, Enterprise NX-01, was constructed.

Service record

Enterprise (NX-01) leaving drydock

Enterprise launching from the Orbital Drydock Facility

Enterprise was launched from this facility early on a mission to the Klingon homeworld in 2151. (ENT: "Broken Bow")

In 2153, Enterprise was retrofited in this spacedock to upgrade her for the mission to find the Xindi and stop a second weapon from being launched against Earth. (ENT: "The Expanse")

In May 2154, Enterprise departed from this spacedock shortly before investigating the Augment Crisis. (ENT: "Borderland")

Layout

The Orbital Drydock Facility was made up of five cage segments, with one long section providing the dorsal part of the cage and two smaller sections on either side providing the port and starboard parts. These sections housed banks of lights facing inwards, towards where the ship would be located. The dorsal sections also supported a small windowed station in the center of the facility as well as rails that four movable construction arms were attached to. Housed in the center joint of the smaller sections making up the walls of the cage were small stations. Each station had a total of four airlocks at the bow and stern, one facing outwards along the centerline where other segments could be added as well as one airlock each facing port, starboard, and ventral. An airlock was also located on the centerline facing "outwards" from each station. One of the segments on the port side also had a large antennae farm located just below the station. (ENT: "Broken Bow", "The Expanse", "Borderland")

Appendices

Appearances

Background information

This docking facility may be part of the Warp Five Complex, but this possibility was never confirmed. The facility was referred to simply as a "Spacedock" in the script of Star Trek: Enterprise pilot episode "Broken Bow". [1] In a blueprint of the Enterprise's bridge that was auctioned off in the It's A Wrap! sale and auction (item #4654), the spacedock is referred to as Orbital Drydock Facility 314, Station 15 B. [2] The CGI model for the Orbital 6 inspection pod used in "Broken Bow" also had markings on the side reading "Orbital Drydock Facility" and "Shipyard Ops". This is where Memory Alpha gets the name from.

Exterior design

Enterprise spacedock sketch

The first concept sketch that John Eaves created for the spacedock

While the look of the spacedock was not yet decided, about four conceptual passes at designing the dock were tried out. The first of these, dated February 2001, was decidedly contemporary while also heavily influenced by the chronological setting of Star Trek: Enterprise. Senior illustrator John Eaves, who was involved in designing the dock, later explained, "We were designing a new segment in time just a few decades prior to the original series. The idea was to retro back everything from the 60′s iconic series to a more NASA and nuts and bolts kind of look. With that in mind we ventured into a new yet older style of spacedock/drydock design with a skylab feel to the aesthetics. The result of this path [was] [...] a large circular space station with massive solar arrays and domed details to bring us all back into a more present time of space architecture with a slightly futuristic feel." However, the designers instead finally settled on a more chunky version of the traditional drydock as established in Star Trek: The Motion Picture. [3]

Pierre Drolet, a visual effects artist at Foundation Imaging, was largely responsible for deciding how the spacedock turned out. "He just said, 'Let me see what I can come up with,' and ultimately [the producers] went for it," remembered Foundation's Robert Bonchune. "Pierre built something that was sort of a step backward from The Motion Picture drydock. A little beefier, a little more like the dry dock from Generations." (Star Trek Monthly issue 86, p. 23) The dock included some other minor details that helped differ it from previous docks, such as the one in The Motion Picture. "It is still a drydock shape; it's just clunkier and a little more primitive," said Bonchune. "We put in little things like grappler hooks at the bottom to move things around. There are little details like gold foil and thermal blankets on some things." (Star Trek: The Magazine Volume 2, Issue 10, p. 26)

Production illustrator Doug Drexler was not entirely satisfied with the final exterior design of this facility, commenting, "The fiver seemed as big and complex (perhaps even more so) than the drydock from TMP." Drexler also admitted to having "never understood" the large antennae farm included as part of the five-fingered facility. [4](X)

Depiction in launch sequence

Executive producers Rick Berman and Brannon Braga, in their capacity as the writers of "Broken Bow", originally wanted a vast stadium to be witness to the starship Enterprise's departure from the dock, though these scenes were thereafter moved to being set on an observation deck of the spacedock itself. "We always imagined a stadium full of people, but you never quite end up with as much as you want," acknowledged Braga. ("Broken Bow" audio commentary, ENT Season 1 DVD)

The spacedock's observation deck was actually a redress of the Enterprise armory set. ("Broken Bow" text commentary, ENT Season 1 DVD) The interior scenes set in this room were filmed on 5 June 2001, on Paramount Stage 18. (Broken Bow call sheet)

Subsequently, the spacedock's observation deck was optically enlarged; visual effects added a secondary balcony to the room as well as more audience members than the number of extras who had been on the set. ("Broken Bow" text and audio commentaries, ENT Season 1 DVD) "When we saw the dailies, Rick Berman decided that the event should be bigger and have more people, so I figured out a way I could hand-paint set extensions," recalled visual effects producer Dan Curry. "By reducing and tweaking perspective and shooting background people against greenscreen, we were able to build layers of audience and make the room bigger than the original set had been." Curry was ultimately very proud of the launch sequence, which Rob Bonchune also worked on. (Star Trek: The Magazine Volume 2, Issue 10, pp. 26-27)

Other representations

A CGI render of this spacedock can be found in the ENT Season 1 DVD, as part of a computer-animated sequence that introduces the main menu for each disc.

Another CG depiction of the drydock was published in the book Ships of the Line (p. 5), in which an image by Sean Scott shows the dock housing Enterprise while the ship is in an initial stage of construction.

Apocrypha

In the novelization of "Broken Bow", this spacedock is referred to as consisting of geodesic parts that were assembled on Earth before being constructed in space, expanding the dock to its full size therein.