Changes: Michael Matessino

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Michael "Mike" A. Matessino usually credited as Mike Matessino, was the restoration supervisor involved in the making of the Director's Edition DVD of Star Trek: The Motion Picture. It was Matessino, together with partner David C. Fein, who originally approached director Robert Wise to create a revised version of the film on video, while they were working for Wise's production company, Robert Wise Productions, on the 1994 commemorative documentary The Sound of Music: From Fact to Phenomenon. (The New York Times, 10 February, 2002, p. 26) It took an additional three years of persistence before Wise agreed, and green-lighted the project. (Star Trek: The Magazine Volume 2, Issue 8, p. 25) Matessino, after he initially viewed the movie in 1979, felt it didn't represent the quality expected of an inaugural Star Trek film, as evidenced in a letter he wrote as a youth to Starlog magazine, "...I expected the movie to be spectacular, even though I was hoping that it wouldn't be better than Star Wars. It stunk! I saw the movie again the following week thinking I would like it better. I didn't like it better. It was even worse. I was never a real Trekkie." (Starlog, issue 33, April 1980, p. 8). His youthful feelings notwithstanding, his work on the Director's Edition won him and his colleagues a Video Premiere Award.

Matessino was featured in the "Redirecting The Future" documentary included on the ST:TMP Director's Edition DVD, in which he and his co-workers discussed the facets of work they contributed to the project. In addition, both Matessino and his colleagues were featured in an after-the-fact, separately produced audio commentary, released in 2007 as a podcast on StarTrek.com, the official Star Trek website which, at the time, Template:Brokenlink at the site.

During his association with La-La Land Records, Matessino became reacquainted with the film when he served as producer on the 2012 Star Trek: The Motion Picture (expanded soundtrack) soundtrack project, earning him an IFMCA Award. He had previously worked on the earlier released 2010 Star Trek V: The Final Frontier (expanded soundtrack).

Career outside Star Trek

Mike Matessino is a New York City area native and graduate of New York University's Tisch School of the Arts, where he majored in Film. A "film historian and preservationist, with particular emphasis on the restoration of film music", according to his website, he had from early childhood developed a passion for motion pictures and their soundtracks.

Matessino first met fellow film buff and future business partner David Fein while both were residing in the New York City area. When Matessino moved to California, he and Fein (who relocated to the west coast a few years earlier) reaffirmed their mutual passions for the cinema. They founded their own production company in 1991, Sharpline Arts, located in Glendale, California. The company's purpose was to produce special features for inclusion on home media formats, which encompassed LaserDisc, then DVD at a later stage. Daren Dochterman served in the early years as executive director for the company. [1]

Sharpline Arts' first project was the 1991 LaserDisc Aliens–Special Wide-Screen Collector's Edition. This release was very well received at the time in movie collector circles, as it was a portent for things to come. Not only were several in-depth making-of documentaries included, but the footage was also cleaned up, deleted scenes were inserted, and the soundtrack was remastered; the last item being Matessino's forte. Projects that followed in the same vein include Alien–Special Wide-Screen Collector's Edition (1992), The Abyss: Special Edition (1993), Independence Day: Special Edition (1995), The Thing: Special Edition (1998) and others. Released first on LaserDisc, all special features were later one-on-one transferred to their DVD and Bluray successors. The project for which Sharpline Arts received the most recognition was the 1999 The "ALIEN" Legacy DVD collection. [2] The company has attained somewhat of a legendary status in movie collector circles, as it has set the standard for how special editions should be produced. [3]

In addition to producing the documentaries, Sharpline Arts also restored music scores for studios on a commission basis. These include those of the Star Wars franchise, Poltergeist, Superman, and The Omen. Matessino, as the resident soundtrack expert, was mainly responsible for these projects. [4] As sub-contractors, the company (more specifically its two founders) worked in the 1990's for Robert Wise Productions on the special editions of The Sound of Music (1994), The Sand Pebbles and of course the Director's Edition of Star Trek: The Motion Picture. While not bankrupt, Sharpline Arts has been dormant since 2003; the retrospective documentary DVD Discoveries (in which the two founders look back on their productions while operating their company), is its last recorded production.

After his work on ST:TMP, Matessino expanded his career as sound editor and mixer. From 2001-2005, he primarily concentrated his talents at Varèse Sarabande, putting his skills to good use on numerous music scores and soundtracks. [5] In 2005 he began a collaboration with La-La Land Records as sound editor and mixer, as well as adding producer to his growing list of credits. He acquired an outstanding professional reputation as a soundtrack engineer, which eventually resulted in his participation on the two Star Trek expanded soundtrack projects.

As of 2015, Mike Matessino continues his passion for film score and soundtrack restoration, adding to his prolific discography on a regular basis.

Star Trek awards

For his work on the Star Trek franchise, Mike Matessino received the following awards:

DVD Exclusive Award

Matessino won the following DVD Exclusive Award (at the time called Video Premiere Award) as restoration supervisor in the category Best New, Enhanced or Reconstructed Movie Scenes

2001 for Star Trek: The Motion Picture, The Director's Edition, shared with Daren Dochterman and David C. Fein

IFMCA Award

Matessino won the following International Film Music Critics Association Award as producer and liner notes in the category Best Archival Release of an Existing Score

2012 for Star Trek: The Motion Picture (expanded soundtrack), shared with Jerry Goldsmith, Didier C. Deutsch, David C. Fein, Bruce Botnick, MV Gerhard, Matt Verboys, Jeff Bond and Jim Titus

External links

MikeMatessino.com - official site
Template:IMDb-link
Template:IMDb-link
1999 interview with Matessino at DVDReview.com

@@ Line 5: / Line 5: @@
 | Birth name        = Michael A. Matessino
 | Gender            = Male
-| Date of birth     =
+| Date of birth     = <!-- When found, please do not insert at the specific request of the artist-->
-| Place of birth    = New York City, New York, USA
+| Place of birth    = Yonkers, New York City, New York, USA
 | Date of death     =
 | Place of death    =
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 | image2            = Production staff of Robert Wise Productions.jpg
 | imagecap2         = (L-R) Dochterman, Matessino, Wise and Fein at a pre-release screening of the Director's Edition
+| image3            = Sharpline Logo.png
+| imagecap3         = Sharpline Arts company logo
 }}
 __NOTOC__
-'''Michael "Mike" A. Matessino''', usually credited as '''Mike Matessino''', was the restoration supervisor who was involved in the making of the [[Star Trek: The Motion Picture (The Director's Edition)|director's edition]] [[DVD]] of {{film|1}}. It was Matessino, together with partner [[David C. Fein]], who originally approached director [[Robert Wise]] to do a revised version of the film on video, when they were working for Wise's production company, [[Robert Wise Productions]], on the 1994 commemorative documentary ''The Sound of Music: From Fact to Phenomenon''. (''The New York Times'', 10 February, 2002, p. 26) It took an additional three years of lobbying before Wise relented and green-lighted the project. ({{STTM|2|8}}, p. 25) Matessino in particular, had apparently something of a bone to pick with the movie, as was evidenced in a letter he wrote in as a youth to ''[[Starlog (magazine)|Starlog]]'' magazine, "''...I expected the movie to be spectacular, even though I was hoping that it wouldn't be better than ''[[Star Wars]]''. It stunk! I saw the movie again the following week thinking I would like it better. I didn't like it better. It was even worse. I was never a real [[Trekkie]].''" (''Starlog'', issue 33, April 1980, p. 8). His youthful feelings notwithstanding, his work on the director's edition won him, and his co-workers, a [[DVD Exclusive Award|Video Premiere Award]].
+'''Michael "Mike" A. Matessino''' usually credited as '''Mike Matessino''', was the restoration supervisor involved in the making of the [[Star Trek: The Motion Picture (The Director's Edition)|Director's Edition]] [[DVD]] of {{film|1}}. It was Matessino, together with partner [[David C. Fein]], who originally approached director [[Robert Wise]] to create a revised version of the film on video, while they were working for Wise's production company, [[Robert Wise Productions]], on the 1994 commemorative documentary ''The Sound of Music: From Fact to Phenomenon''. (''The New York Times'', 10 February, 2002, p. 26) It took an additional three years of persistence before Wise agreed, and green-lighted the project. ({{STTM|2|8}}, p. 25) Matessino, after he initially viewed the movie in 1979, felt it didn't represent the quality expected of an inaugural ''[[Star Trek]]'' film, as evidenced in a letter he wrote as a youth to ''{{dis|Starlog|magazine}}'' magazine, "''...I expected the movie to be spectacular, even though I was hoping that it wouldn't be better than ''[[Star Wars]]''. It stunk! I saw the movie again the following week thinking I would like it better. I didn't like it better. It was even worse. I was never a real [[Trekkie]].''" (''Starlog'', issue 33, April 1980, p. 8). His youthful feelings notwithstanding, his work on the Director's Edition won him and his colleagues a [[DVD Exclusive Award|Video Premiere Award]].
-Matessino was featured in the "Redirecting The Future"-documentary on the DVD, in which he, and his co-workers discuss the work they have done for the project. In addition, he and his co-workers were featured in an after-the-fact, separately produced [[audio commentary]], released in 2007 as a podcast on {{startrek.com}} and which, at the time, {{brokenlink|url=http://www.startrek.com/startrek/view/features/bst/article/2301143.html|text=could be downloaded}} at the site.
+Matessino was featured in the "Redirecting The Future" documentary included on the ST:TMP Director's Edition DVD, in which he and his co-workers discussed the facets of work they contributed to the project. In addition, both Matessino and his colleagues were featured in an after-the-fact, separately produced [[audio commentary]], released in 2007 as a podcast on {{startrek.com}} which, at the time, {{brokenlink|url=http://www.startrek.com/startrek/view/features/bst/article/2301143.html|text=could be downloaded}} at the site.
-A decade later Mike Matessino was reacquainted with the movie when he served as producer at [[La-La Land Records]] on the 2012 [[Star Trek: The Motion Picture (expanded soundtrack)|''Star Trek: The Motion Picture'' (expanded soundtrack)]] [[soundtrack]] project, earning him an [[IFMCA Award]], having already worked on the previously released 2010 [[Star Trek V: The Final Frontier (expanded soundtrack)|''Star Trek V: The Final Frontier'' (expanded soundtrack)]].
+During his association with [[La-La Land Records]], Matessino became reacquainted with the film when he served as producer on the 2012 [[Star Trek: The Motion Picture (expanded soundtrack)|''Star Trek: The Motion Picture'' (expanded soundtrack)]] [[soundtrack]] project, earning him an [[IFMCA Award]]. He had previously worked on the earlier released 2010 [[Star Trek V: The Final Frontier (expanded soundtrack)|''Star Trek V: The Final Frontier'' (expanded soundtrack)]].
 == Career outside ''Star Trek'' ==
-A New York City native, and graduate of New York University's film and television program, Mike Matessino, a "film historian and preservationist, with particular emphasis on the restoration of film music" as he describes himself on his [http://www.mikematessino.com/biography website], had from early childhood developed a passion for motion pictures and, in particular, their music scores.
+Mike Matessino is a New York City area native and graduate of New York University's Tisch School of the Arts, where he majored in Film. A "film historian and preservationist, with particular emphasis on the restoration of film music", according to his [http://www.mikematessino.com/biography website], he had from early childhood developed a passion for motion pictures and their soundtracks.
+Matessino first met fellow film buff and future business partner David Fein while both were residing in the New York City area. When Matessino moved to California, he and Fein (who relocated to the west coast a few years earlier) reaffirmed their mutual passions for the cinema. They founded their own production company in 1991, '''Sharpline Arts''', located in Glendale, California. The company's purpose was to produce special features for inclusion on home media formats, which encompassed [[LaserDisc]], then [[DVD]] at a later stage. [[Daren Dochterman]] served in the early years as executive director for the company. [http://www.corporationwiki.com/California/Glendale/sharpline-arts/48029161.aspx]
-After having moved to California, Matessino found a kindred spirit in fellow New York City film buff David Fein, with whom he founded their own production company in 1991, '''Sharpline Arts''', located in Glendale, California, intended to produce "special features" for inclusion on home media formats, [[LaserDisc]] in particular, followed by [[DVD]] at a later stage. [[Daren Dochterman]] served in the early years as executive director for the company. [http://www.corporationwiki.com/California/Glendale/sharpline-arts/48029161.aspx] The company's first project was the 1991 LaserDisc ''Aliens–Special Wide-Screen Collector's Edition''. The release was very well received at the time in movie collector circles, as it was a portent for things to come. Not only were several in-depth making-of documentaries included, but the footage was also cleaned up, deleted scenes were inserted and the soundtrack was remastered, Mattesino's forte. Projects, especially those of director James Cameron, that followed in the same vein were, ''Alien–Special Wide-Screen Collector's Edition'' (1992), ''The Abyss: Special Edition'' (1993), ''Independence Day: Special Edition'' (1995), ''The Thing: Special Edition'' (1998) and others. Released at first on LaserDisc, all special features were later one-on-one transferred to their DVD and [[Bluray]] successors. The project the company received the most renown for, was the 1999 ''The "ALIEN" Legacy'' DVD collection. [http://www.sharplinearts.com/Sharpline_Arts/Welcome_to_the_official_website_of_Sharpline_Arts.html] The company has attained somewhat of a legendary status in movie collector circles, as it has set the standard for how "special editions" should be produced. [http://www.hometheaterforum.com/topic/133971-whats-happened-to-sharpline-arts/] Aside from producing the documentaries, Sharpline Arts also restored music scores for studios on commission base, which included those of the ''[[Star Wars]]'' franchise, ''Poltergeist'', ''Superman'', and ''The Omen'', something Matessino, as the resident soundtrack expert, was mainly responsible for. [http://www.zoominfo.com/s/#!search/profile/company?companyId=34702187&targetid=profile] As sub-contractors, the company (more specifically its two founders) worked in the 1990s for Robert Wise Productions on their productions of the special editions of ''The Sound of Music'' (1994), ''The Sand Pebbles'' and of course the director's edition of ''The Motion Picture''. While not bankrupt, Sharpline Arts has become dormant since 2003, the retrospective documentary ''DVD Discoveries'' (in which the two founders look back on their productions while operating their company), its last recorded production.
+Sharpline Arts' first project was the 1991 LaserDisc ''Aliens–Special Wide-Screen Collector's Edition''. This release was very well received at the time in movie collector circles, as it was a portent for things to come. Not only were several in-depth making-of documentaries included, but the footage was also cleaned up, deleted scenes were inserted, and the soundtrack was remastered; the last item being Matessino's forte. Projects that followed in the same vein include ''Alien–Special Wide-Screen Collector's Edition'' (1992), ''The Abyss: Special Edition'' (1993), ''Independence Day: Special Edition'' (1995), ''The Thing: Special Edition'' (1998) and others. Released first on LaserDisc, all special features were later one-on-one transferred to their DVD and [[Bluray]] successors. The project for which Sharpline Arts received the most recognition was the 1999 ''The "ALIEN" Legacy'' DVD collection. [http://www.sharplinearts.com/Sharpline_Arts/Welcome_to_the_official_website_of_Sharpline_Arts.html] The company has attained somewhat of a legendary status in movie collector circles, as it has set the standard for how special editions should be produced. [http://www.hometheaterforum.com/topic/133971-whats-happened-to-sharpline-arts/]
-After his work on ''The Motion Pictures'', Mike Matessino worked from 2001-2005 as sound editor and mixer, mostly employed at [[Varèse Sarabande]], on numerous music scores. [http://www.mikematessino.com/projects/] In 2005 he switched to La-La Land Records in the same capacity, as well as in that of producer, eventually resulting in his participation on the two ''Star Trek'' expanded soundtrack projects. A year later, former partner David Fein rejoined him at the company.
+In addition to producing the documentaries, Sharpline Arts also restored music scores for studios on a commission basis. These include those of the ''[[Star Wars]]'' franchise, ''Poltergeist'', ''Superman'', and ''The Omen''. Matessino, as the resident soundtrack expert, was mainly responsible for these projects. [http://www.zoominfo.com/s/#!search/profile/company?companyId=34702187&targetid=profile] As sub-contractors, the company (more specifically its two founders) worked in the 1990's for Robert Wise Productions on the special editions of ''The Sound of Music'' (1994), ''The Sand Pebbles'' and of course the Director's Edition of ''Star Trek: The Motion Picture''. While not bankrupt, Sharpline Arts has been dormant since 2003; the retrospective documentary ''DVD Discoveries'' (in which the two founders look back on their productions while operating their company), is its last recorded production.
+After his work on ''ST:TMP'', Matessino expanded his career as sound editor and mixer. From 2001-2005, he primarily concentrated his talents at [[Varèse Sarabande]], putting his skills to good use on numerous music scores and soundtracks. [http://www.mikematessino.com/projects/] In 2005 he began a collaboration with La-La Land Records as sound editor and mixer, as well as adding producer to his growing list of credits. He acquired an outstanding professional reputation as a soundtrack engineer, which eventually resulted in his participation on the two ''Star Trek'' expanded soundtrack projects.
+As of 2015, Mike Matessino continues his passion for film score and soundtrack restoration, adding to his prolific discography on a regular basis.
 == ''Star Trek'' awards ==