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Planet Genesis in 2285. (Star Trek II: The Wrath of Khan)

This shot was neither created by creating a matte painting nor filming a planet maquette, as was hitherto customary, but rather as CGI. It was the very first digital matte painting used in Star Trek, created by Chris Evans for closing pull-away sequence of the "Genesis Demo" having used one of the earliest paint computer programs that had been developed in-house in 1981 by Thomas Porter at ILM. (American Cinematographer, October 1982, p. 1050)

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current05:47, January 17, 2010Thumbnail for version as of 05:47, January 17, 2010830 × 578 (98 KB)Archduk3 (Talk | contribs)cleaner, larger
22:48, January 1, 2008Thumbnail for version as of 22:48, January 1, 2008235 × 235 (30 KB)Jörg (Talk | contribs)

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