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Memory Alpha
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{{sidebar magazine series
 
{{sidebar magazine series
 
|image=Cinefex_Logo.png
 
|image=Cinefex_Logo.png
|Publisher=Don Shay/Cinefex LLC.<br/>LGK Presse Et Editions/DGB développement (France)<br/>Bagni di Tivoli (Italy)<br/>ToysPress Inc. (Japan 1st relaunch)<br/>Born Digital, Inc. (Japan 2nd relaunch)<br/>Cinema Line, LLC. CINEFEX (Russia)<br/>Dexter Publishing (China)
+
|Publisher=Don Shay/Cinefex LLC.<br/>LGK Presse Et Editions/DGB développement (France)<br/>Bagni di Tivoli (Italy)<br/>Toys Press Inc. (Japan 1st relaunch)<br/>Born Digital, Inc. (Japan 2nd relaunch)<br/>Cinema Line, LLC. CINEFEX (Russia)<br/>Dexter Publishing (China)
 
|Published={{m|March|1980}}-''current'' (USA)<br/>{{d|20|August|1983}}-{{d|20|December|1985}} (Japan original run)<br/>{{m|September|1989}}-{{m|September|1990}}/{{m|October|1992}} (France)<br/>{{m|November|2001}}-{{m|March|2006}} (Italy)<br/>{{d|20|July|1993}}-{{d|28|December|2003}} (Japan 1st relaunch)<br/>{{d|25|June|2006}}-''current'' (Japan 2nd relaunch)<br/>{{d|24|July|2015}}-''current'' (China)
 
|Published={{m|March|1980}}-''current'' (USA)<br/>{{d|20|August|1983}}-{{d|20|December|1985}} (Japan original run)<br/>{{m|September|1989}}-{{m|September|1990}}/{{m|October|1992}} (France)<br/>{{m|November|2001}}-{{m|March|2006}} (Italy)<br/>{{d|20|July|1993}}-{{d|28|December|2003}} (Japan 1st relaunch)<br/>{{d|25|June|2006}}-''current'' (Japan 2nd relaunch)<br/>{{d|24|July|2015}}-''current'' (China)
 
|Issues=''still running''<br/>12 (Japan original run)<br/>5+1 (France)<br/>7 (Italy)<br/>39 (Japan 1st relaunch)
 
|Issues=''still running''<br/>12 (Japan original run)<br/>5+1 (France)<br/>7 (Italy)<br/>39 (Japan 1st relaunch)
 
|Editor=Jody Duncan, Joe Fordham (USA)<br/>Bernard Achour (France)<br/>Pierfilippo Siena (Italy)<br/>Akira Sugiyama (Japan 2nd relaunch)<br/>Alyona Udalova, Elena Paigildina (Russia)<br/>Yong Ma (China)
 
|Editor=Jody Duncan, Joe Fordham (USA)<br/>Bernard Achour (France)<br/>Pierfilippo Siena (Italy)<br/>Akira Sugiyama (Japan 2nd relaunch)<br/>Alyona Udalova, Elena Paigildina (Russia)<br/>Yong Ma (China)
 
}}
 
}}
'''''Cinefex''''' is a magazine that, in each issue, specifically focuses in-depth on the technical aspects of the special or rather the visual effects used in a particular movie or television production. Launched in {{y|1980}} under stewardship of Don Shay, it has become the foremost periodical magazine on special effects, as it was known at the time, in the business and is (as of {{y|2012}}) still being published. Its very first issue was equally dedicated to {{film|1}} and the movie {{w|Alien (film)|Alien}}. Editorial staff has included at some point [[Mark Cotta Vaz]].
+
'''''Cinefex''''' is a magazine that, in each issue, specifically focuses in-depth on the technical aspects of the [[:Category:Special effects companies|special]], or rather the [[:Category:Visual effects companies|visual effects]], used in motion picture productions or, less frequently, in a particular television production which had been groundbreaking in this regard. Launched in {{y|1980}} under stewardship of Don Shay, it has become the foremost periodical magazine on "special effects", as it was known at the time, in the business and is (as of {{y|2015}}) still being published. Its very first issue was equally dedicated to {{film|1}} and the movie {{w|Alien (film)|Alien}}. Editorial staff has included at some point [[Mark Cotta Vaz]].
   
Though there is a certain overlap in the subject matter with the contemporary magazines ''[[American Cinematographer]]'' and ''[[Cinefantastique]]'', ''Cinefex''{{'}}s focus lies on the various aspects of creating of what is presently called "{{w|visual effects}}", whereas ''American Cinematographer'' is focused on the actual filming techniques and ''Cinefantastique'', together with the other contemporary publication, ''{{dis|Starlog|magazine}}'', covered a lesser in-depth but wider range of behind-the-scenes aspects. As such, the magazines can be considered complimentary.
+
Though there is a certain overlap in the subject matter with the contemporary magazines ''[[American Cinematographer]]'' and ''[[Cinefantastique]]'', ''Cinefex''{{'}}s focus lies on the various aspects of creating of what is presently called "visual effects", whereas ''American Cinematographer'' is focused on the actual filming techniques and ''Cinefantastique'', together with the other contemporary publication, ''{{dis|Starlog|magazine}}'', covered a lesser in-depth but wider range of behind-the-scenes aspects. As such, the magazines can be considered complimentary.
   
Having become a leading publication on the subject matter of visual effects, the magazine has seen several international variants in translation, released by local publishers; In Japan the magazine had by far the longest run, and was intermittently published from mid-1983 onward by several publishers, though the contents were not in sync with their American counterparts at first. The first publication run lasted for only twelve issues and ended in December 1985. [http://sprocket.eek.jp/monthsp/month2004Feb1.html] The magazine was relaunched in July 1993 with a restarted numbering as [[reference book]]s (and thus endowed with ISBN-numbers) in a vertically orientated format, as opposed to the standard American lying format. In 2003, Cinefex LLC. pulled the license of the relaunch publisher ToysPress Inc. for copyright violations, after it was discovered that they had released unsanctioned side productions based on licensed Cinefex copy, among others a 1997 ''[[Star Wars]]'' book. [http://www.fxguide.com/featured/cinefex_25_years_of_respect/] The first relaunch run had lasted for 39 issues. [http://sprocket.eek.jp/monthsp/month2004Feb2.html] From June 2006 onward the magazine was relaunched, synchronized for the American version contents with an one issue lag, for a second time by Born Digital, Inc. with again a restarted numbering in the format its predecessor had employed.
+
Having become a leading publication on the subject matter of visual effects, the magazine has seen several international variants in translation, released by local publishers; In Japan the magazine had by far the longest run, and was intermittently published from mid-1983 onward by several publishers, though the contents were not in sync with their American counterparts at first. The first publication run lasted for only twelve issues and ended in December 1985. [http://sprocket.eek.jp/monthsp/month2004Feb1.html] The magazine was relaunched in July 1993 with a restarted numbering as [[reference book]]s (and thus endowed with ISBN-numbers) in a vertically orientated format, as opposed to the standard American lying format. In 2003, Cinefex LLC. pulled the license of the relaunch publisher Toys Press Inc. for copyright violations, after it was discovered that they had released unsanctioned side productions based on licensed Cinefex copy, among others a 1997 ''[[Star Wars]]'' book. [http://www.fxguide.com/featured/cinefex_25_years_of_respect/] The first relaunch run had lasted for 39 issues. [http://sprocket.eek.jp/monthsp/month2004Feb2.html] From June 2006 onward the magazine was relaunched, synchronized for the American version contents with an one issue lag, for a second time by Born Digital, Inc. with again a restarted numbering in the format its predecessor had employed.
   
Less successful and far shorter-lived efforts were undertaken in France (five issues plus one single October 1992 issue, stemming from a failed relaunch attempt), Italy (seven edited issues, renamed "CineVfx" for the last three issues [http://www.moviemags.com/main.php?title=CINEVFX&month=%&view=main.php]) and Russia (which lasted somewhat longer as at least 29 issues were known to exist by January 2012). As if to underscore the growing importance of Chinese digital effects companies play in the motion picture industry, publisher Don Shay launched the Chinese-language version of the magazine on 29 July 2015 in a ceremony at the Chinese Dexter Studios, Beijing. Its publishing company had released the first, vertically orientated issue four days previously, synchronized with issue 142 of the American source publication. [http://cinefex.com/blog/cinefex-china/]
+
Less successful and far shorter-lived efforts were undertaken in France (five issues plus one single October 1992 issue, stemming from a failed relaunch attempt), Italy (seven edited issues, renamed "CineVfx" for the last three issues [http://www.moviemags.com/main.php?title=CINEVFX&month=%&view=main.php]) and Russia (which lasted somewhat longer as at least 29 issues were known to exist by January 2012 [http://startfilm.ru/pressa/15/]). As if to underscore the growing importance of Chinese digital effects companies play in the motion picture industry, publisher Don Shay launched the Chinese-language version of the magazine on 29 July 2015 in a ceremony at the Chinese Dexter Studios, Beijing. Its publishing company had released the first, vertically orientated issue four days previously, synchronized with issue 142 of the American source publication. [http://cinefex.com/blog/cinefex-china/]
   
 
Noteworthy is that {{film|2}} has not received any coverage in ''Cinefex''.
 
Noteworthy is that {{film|2}} has not received any coverage in ''Cinefex''.
Line 30: Line 30:
 
|{{film|1}}:
 
|{{film|1}}:
 
*"Into the [[V'Ger]] Maw with [[Douglas Trumbull]]", Don Shay, pp. 4-33
 
*"Into the [[V'Ger]] Maw with [[Douglas Trumbull]]", Don Shay, pp. 4-33
''As of 2015, the Japanese issue is the only known foreign-language edition carrying a ''Star Trek''-themed cover.''
+
''As of 2015, this Japanese issue is the only known foreign-language edition to carry a ''Star Trek''-themed cover.''
 
|-
 
|-
 
|2, {{m|August|1980}}
 
|2, {{m|August|1980}}
Line 63: Line 63:
 
*"Letting Slip the Dogs of Wars", Kevin H. Martin, pp. 38-60
 
*"Letting Slip the Dogs of Wars", Kevin H. Martin, pp. 38-60
 
|-
 
|-
|61, {{m|March|1995}}
+
|61, {{m|March|1995}}<br>9, {{d|20|December|1995}} (Japan, 1st relaunch)<br/>
|style="text-align:center;" | [[File:Cinefex cover 61.jpg|150px]]<br>First printing cover<br>{{ASIN|B000OONICE}}<br/> [[File:Cinefex cover 61 reprint.jpg|150px]]<br>Reprint cover<br>{{ASIN|B002JHSFA4}}<br/>
+
|style="text-align:center;" | [[File:Cinefex cover 61.jpg|150px]]<br>First printing cover<br>{{ASIN|B000OONICE}}<br/> [[File:Cinefex cover 61 reprint.jpg|150px]]<br>Reprint cover<br>{{ASIN|B002JHSFA4}}<br/>[[File:Cinefex cover 9 Japan.jpg|150px]]<br>Japan cover<br>ISBN 492493058X<br/>
 
|{{film|7}}:
 
|{{film|7}}:
 
*"[[James T. Kirk|Kirk]] Out", Kevin H. Martin, pp. 62-77
 
*"[[James T. Kirk|Kirk]] Out", Kevin H. Martin, pp. 62-77
Line 73: Line 73:
 
*"[[Phoenix]] Rising", Kevin H. Martin, pp. 98-119
 
*"[[Phoenix]] Rising", Kevin H. Martin, pp. 98-119
 
|-
 
|-
|77, {{m|April|1999}}
+
|77, {{m|April|1999}}<br>23, {{d|28|December|1999}} (Japan)<br/>
|style="text-align:center;" | [[File:Cinefex cover 77.jpg|150px]]<br>First printing cover<br>{{ASIN|B005MSJK7Y}}<br/> [[File:Cinefex cover 77 reprint.jpg|150px]]<br>Reprint cover<br>{{ASIN|B000KGAE28}}<br/>
+
|style="text-align:center;" | [[File:Cinefex cover 77.jpg|150px]]<br>First printing cover<br>{{ASIN|B005MSJK7Y}}<br/> [[File:Cinefex cover 77 reprint.jpg|150px]]<br>Reprint cover<br>{{ASIN|B000KGAE28}}<br/>[[File:Cinefex cover 23 Japan.jpg|150px]]<br>Japan cover<br>ISBN 4924930288<br/>
 
|{{film|9}}:
 
|{{film|9}}:
 
*"Lost in the [[Briar Patch]]", Kevin H. Martin, pp. 68-95
 
*"Lost in the [[Briar Patch]]", Kevin H. Martin, pp. 68-95
Line 84: Line 84:
 
|-
 
|-
 
|118, {{m|July|2009}}<br>14, {{d|26|September|2009}} (Japan, 2nd relaunch)
 
|118, {{m|July|2009}}<br>14, {{d|26|September|2009}} (Japan, 2nd relaunch)
|style="text-align:center;" | [[File:Cinefex cover 118.jpg|150px]]<br>First printing cover<br/> [[File:Cinefex cover 118 reprint.jpg|150px]]<br>Reprint cover<br>{{ASIN|B005RPUTXQ}}<br/> [[File:Cinefex cover 14 Japan.jpg|150px]]<br>Japan cover<br>ISBN 9784862460912<br/>
+
|style="text-align:center;" | [[File:Cinefex cover 118.jpg|150px]]<br>First printing cover<br/>[[File:Cinefex cover 118 reprint.jpg|150px]]<br>Reprint cover<br>{{ASIN|B005RPUTXQ}}<br/> [[File:Cinefex cover 14 Japan.jpg|150px]]<br>Japan cover<br>ISBN 9784862460912<br/>
 
|{{film|11}}:
 
|{{film|11}}:
 
*"A New Enterprise", Joe Fordham, pp. 40-71
 
*"A New Enterprise", Joe Fordham, pp. 40-71
 
|-
 
|-
 
|134, {{m|July|2013}}<br>30, {{d|30|September|2013}} (Japan)<br/>
 
|134, {{m|July|2013}}<br>30, {{d|30|September|2013}} (Japan)<br/>
|style="text-align:center;" | [[File:Cinefex cover 134.jpg|150px]]<br>Variant cover 1<br/> [[File:Cinefex cover 134 variant.jpg|150px]]<br>Variant cover 2<br/> [[File:Cinefex cover 134 reprint.jpg|150px]]<br>Reprint cover<br>{{ASIN|B00EW0SQ5A}}<br/>[[File:Cinefex cover 30 Japan.jpg|150px]]<br>Japan cover<br>ISBN 9784862461759<br/>
+
|style="text-align:center;" | [[File:Cinefex cover 134.jpg|150px]]<br>Variant cover 1<br/>[[File:Cinefex cover 134 variant.jpg|150px]]<br>Variant cover 2<br/> [[File:Cinefex cover 134 reprint.jpg|150px]]<br>Reprint cover<br>{{ASIN|B00EW0SQ5A}}<br/>[[File:Cinefex cover 30 Japan.jpg|150px]]<br>Japan cover<br>ISBN 9784862461759<br/>
 
|{{film|12}}:
 
|{{film|12}}:
 
*"Dark Side of the Earth", Joe Fordham, pp. 70-91
 
*"Dark Side of the Earth", Joe Fordham, pp. 70-91

Revision as of 10:20, 21 December 2015

Template:Realworld

Cinefex is a magazine that, in each issue, specifically focuses in-depth on the technical aspects of the special, or rather the visual effects, used in motion picture productions or, less frequently, in a particular television production which had been groundbreaking in this regard. Launched in 1980 under stewardship of Don Shay, it has become the foremost periodical magazine on "special effects", as it was known at the time, in the business and is (as of 2015) still being published. Its very first issue was equally dedicated to Star Trek: The Motion Picture and the movie Alien. Editorial staff has included at some point Mark Cotta Vaz.

Though there is a certain overlap in the subject matter with the contemporary magazines American Cinematographer and Cinefantastique, Cinefex's focus lies on the various aspects of creating of what is presently called "visual effects", whereas American Cinematographer is focused on the actual filming techniques and Cinefantastique, together with the other contemporary publication, Starlog, covered a lesser in-depth but wider range of behind-the-scenes aspects. As such, the magazines can be considered complimentary.

Having become a leading publication on the subject matter of visual effects, the magazine has seen several international variants in translation, released by local publishers; In Japan the magazine had by far the longest run, and was intermittently published from mid-1983 onward by several publishers, though the contents were not in sync with their American counterparts at first. The first publication run lasted for only twelve issues and ended in December 1985. [1] The magazine was relaunched in July 1993 with a restarted numbering as reference books (and thus endowed with ISBN-numbers) in a vertically orientated format, as opposed to the standard American lying format. In 2003, Cinefex LLC. pulled the license of the relaunch publisher Toys Press Inc. for copyright violations, after it was discovered that they had released unsanctioned side productions based on licensed Cinefex copy, among others a 1997 Star Wars book. [2] The first relaunch run had lasted for 39 issues. [3] From June 2006 onward the magazine was relaunched, synchronized for the American version contents with an one issue lag, for a second time by Born Digital, Inc. with again a restarted numbering in the format its predecessor had employed.

Less successful and far shorter-lived efforts were undertaken in France (five issues plus one single October 1992 issue, stemming from a failed relaunch attempt), Italy (seven edited issues, renamed "CineVfx" for the last three issues [4]) and Russia (which lasted somewhat longer as at least 29 issues were known to exist by January 2012 [5]). As if to underscore the growing importance of Chinese digital effects companies play in the motion picture industry, publisher Don Shay launched the Chinese-language version of the magazine on 29 July 2015 in a ceremony at the Chinese Dexter Studios, Beijing. Its publishing company had released the first, vertically orientated issue four days previously, synchronized with issue 142 of the American source publication. [6]

Noteworthy is that Star Trek II: The Wrath of Khan has not received any coverage in Cinefex.

Notable issues

Of particular relevance to Star Trek are the following issues:

Issue Cover Contents
1, March 1980 (USA)
4, 1 May 1984 (Japan)
Cinefex cover 01
USA cover
Cinefex cover 04 Japan edition
Japan Cover
Star Trek: The Motion Picture:

As of 2015, this Japanese issue is the only known foreign-language edition to carry a Star Trek-themed cover.

2, August 1980 Cinefex cover 02 Star Trek: The Motion Picture:
18, August 1984 Cinefex cover 18 Star Trek III: The Search for Spock:
  • "The Last Voyage of the Starship Enterprise", Brad Munson, pp. 42-68
29, February 1987 Cinefex cover 29 Star Trek IV: The Voyage Home:
  • "Humpback to Future", Jody Duncan Shay, pp. 4-31
37, February 1989 Cinefex cover 37 TNG Season 1:
42, May 1990 Cinefex cover 42 Star Trek V: The Final Frontier:
  • "Sharing the Pain", Paul Mandell, pp. 44-68
49, February 1992 Cinefex cover 49 Star Trek VI: The Undiscovered Country:
  • "Letting Slip the Dogs of Wars", Kevin H. Martin, pp. 38-60
61, March 1995
9, 20 December 1995 (Japan, 1st relaunch)
Cinefex cover 61
First printing cover
ASIN B000OONICE
Cinefex cover 61 reprint
Reprint cover
ASIN B002JHSFA4
Cinefex cover 9 Japan
Japan cover
ISBN 492493058X
Star Trek Generations:
  • "Kirk Out", Kevin H. Martin, pp. 62-77
69, March 1997 Cinefex cover 69
First printing cover
ASIN B0016M0O0W
Cinefex cover 69 reprint
Reprint cover
ASIN B0057BAEVC
Star Trek: First Contact:
  • "Phoenix Rising", Kevin H. Martin, pp. 98-119
77, April 1999
23, 28 December 1999 (Japan)
Cinefex cover 77
First printing cover
ASIN B005MSJK7Y
Cinefex cover 77 reprint
Reprint cover
ASIN B000KGAE28
Cinefex cover 23 Japan
Japan cover
ISBN 4924930288
Star Trek: Insurrection:
93, April 2003 Cinefex cover 93
First printing cover
ASIN B0015MQPW4
Cinefex cover 93 reprint
Reprint cover
ASIN B00723P5GW
Star Trek Nemesis:
  • "Through a Glass Darkly", Bill Norton, pp. 88-111
118, July 2009
14, 26 September 2009 (Japan, 2nd relaunch)
Cinefex cover 118
First printing cover
Cinefex cover 118 reprint
Reprint cover
ASIN B005RPUTXQ
Cinefex cover 14 Japan
Japan cover
ISBN 9784862460912
Star Trek:
  • "A New Enterprise", Joe Fordham, pp. 40-71
134, July 2013
30, 30 September 2013 (Japan)
Cinefex cover 134
Variant cover 1
Cinefex cover 134 variant
Variant cover 2
Cinefex cover 134 reprint
Reprint cover
ASIN B00EW0SQ5A
Cinefex cover 30 Japan
Japan cover
ISBN 9784862461759
Star Trek Into Darkness:
  • "Dark Side of the Earth", Joe Fordham, pp. 70-91

The Star Trek cover was the rarer variant and has become collectible.

External links